Posts mit dem Label Helsinki werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Helsinki werden angezeigt. Alle Posts anzeigen

Montag, 13. November 2017

MIN KING / SOUL GALLEN

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Freitag, 17. November 2017
Anschliessend Party mit Carlo Cannone & Herr Wempe
Helsinki, 8005 Zureich
(Konzert ist ausverkauft, Party ab 23.30)
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Update:
Hier ist der Live-Mix!
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Samstag, 18. November 2017, ab 22h
mit Frau Ilter und den Herren Börm & Wempe
Palace, SG
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Montag, 6. März 2017

TapTab & Helsinki

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Freitag, 10. März 2017, ab 22h
TapTab (SH)

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Samstag, 11. März 2017, ab 23.30

DJ Crownpropeller & Herr Wempe
(nach der "Dub Spencer & Trance Hill" Show)
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Montag, 2. Januar 2017

Josef / The Lovejoys

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Start ins neue Jahr 
am Freitag, 06. Januar 2017, ab 23h
DJ Soulsonic a/k/a Herr Wempe

Josef, 8005 Zureich
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Samstag, 07. Januar 2017

The Lovejoys - live

anschliessend Party mit
Carlo Cannone & Herr Wempe

Helsinki Klub, 8005 Zureich
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Mittwoch, 30. November 2016

Sedlmeir, Crownpropeller & Wempe

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Freitag, 2. Dezember 2016
(Bar 20h, Show 22h, Tanz 23.30)
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SEDLMEIR - live
Der Allein-Unterhalter, welcher früher oder später diesen Planeten retten wird. 
Nicht weil er will, aber einer muss ja...
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PS:
Samstag, 3. Dezember 2016, 21h
Pat Thomas & Kwashibu Area Band (Ghana)
Herr Wempe (Soul Gallen)
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Dienstag, 19. Juli 2016

Helsinki

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Samstag, 23. Juli 2016

DJ SOULSONIC A/K/A HERR WEMPE
soulfunkr'n'bafrolatincaribeandisco

Helsinki Klub, Zureich 5
(Bar 21.30/Tanz 23h)
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Neuer Mix zum einstimmen!

Donnerstag, 15. Oktober 2015

TapTab / Helsinki

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Freitag, 16. Oktober 2015, ab 22h
TapTab, Schaffhausen
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***
ARMANDO BULLA (Barcelona)
&
HERR WEMPE
Samstag, 17. Oktober 2015, ab etwa 23h
(nach dem Konzert von Rainer von Vielen)
Helsinki Klub, Zureich 5
***

Sonntag, 2. August 2015

Greg Belson (Divine Chord Gospel Show) & yours truly

Freitag, 14. August 2015, ab 22h
Helsinki Klub

Greg Belson (The Divine Chord Gospel Show/LA)
Herr Wempe (yours truly)

Sweet Soul, Deep Funk & Raw Gospel Extravaganza

Der englische DJ Greg Belson ist vor einigen Jahren nach Amerika ausgewandert, um näher am Ursprung seiner geliebten Musik zu sein.
Ausgehend vom Funk und Soul ist er beim Gospel gelandet und in dem Bereich eine Autorität geworden. In seiner monatlichen Radiosendung „The Divine Chord Gospel Show" auf dublab.com spielt er, seit 2011, seine Entdeckungen und demonstriert die ganze Bandbreite der Gospelmusik, von Rhythm’n’Blues bis Disco. Auf seiner ausgedehnten Europa-Tournee kommt er auch nach Zürich und beehrt, zum ersten Mal, 

das Helsinki mit seinen Originalschallplatten.

Auch für Atheisten ein himmlischer Hörgenuss!

***
Ich habe ihm ein paar Fragen gestellt:
 (und er hat ausführlich geantwortet;)


What's your name?

Greg Belson



Where are you from?

Kingston Upon Thames, just outside of South London, England.

What are you doing?
I’m a full time vinyl digger, record dealer and DJ specializing in rare soulful recordings. I’m currently on my European Tour for 2015, taking in over 50 dates around the UK, Germany, Spain, Italy & Switzerland.

Who influenced you musically?
I have potentially many musical moments that I could list as influential….if I had to narrow it down to a single artist’s body of work, it would have to be Mr Gil Scott Heron. His voice, delivery, personality and what he stood for as a human being, are truly inspirational to me. But I could list the work of jazz drummer Art Blakey, the production technique of Charles Stepney, the beautiful vocal styles of Minnie Riperton & Althea Davis, the craftsmanship of Terry Callier, the break through sound of golden era hiphop and likewise drum ‘n’ bass. If I hear something that touches my heart and soul, then I add it to my ever growing list of influences.

What was your first record?
The first record I bought with my own money was Adam & the Ants ‘Ant music’ 45 in 1980. 
I was 9 years old.

What are your favorite records at the moment?
Right now, I simply adore the work of the Little Shadows, a gospel group out of Florida. Their 45 on the Mission label ‘On judgement day’ is one I’ll take to my grave. For DJ’ing, the rare soul crowd enjoy Pervis Herder’s ‘Honkey tonk junk’ on Inner Ear, just as much as I love playing it. And for the gospel disco clubs, Betty Griffin’s ‘Free spirit’ on Mopres always raises a smile. I’ve been listening a lot to downtempo beats again recently, and have a passion for Massive Attacks ‘Protection mixed by Brian Eno on the Wild Bunch label, and also Kathy Diamond’s self-released ‘Miracles just might’. Sometimes you just need to unwind, y’know!

What's your best digging story?
This particular digging story goes back to the early 90’s, just before Keb Darge launched the infamous dance night ‘Deep Funk’. London clubland was vibrant and rich with so many superb sessions to choose from; ‘Quiet Storm’ @ Ormonds, ‘Talkin’ Loud’ at The Fridge, The Pig in Chancery Lane….the list was seemingly endless. One such session I used to frequent every Thursday at The Wag was called ‘Leave my wife alone’…..a night routed in Acid Jazz, but over two legendary floors, it was so much more. This is where I first met Mr Darge, playing behind a high riser DJ booth that you had to stand on a chair to look into it. Out of all the regular jocks that spun there (Bunny, Xavier, Russ K and suchlike), Keb’s brand of raw 60’s soul and funk with a hard hitting back beat is what appealed to me the most.

Tracks that went on to become Deep Funk classics all got an outing at ‘Leave my wife alone’; in many ways, it was an essential session for me. Hearing such awesome club oriented music in one of London’s if not the Worlds iconic venues, has helped shape my approach to my DJ sets today. And to give you an idea of the kind of cuts that were making the grade back in ’92 - ’93, here’s a little rundown of heavy hitters, all played on original 45.

King Midas & the Mufflers ‘Tramp’ (Kanwic)
Bill “Butter Ball” Crane ‘Stepin’ tall part 2’ (Key)
Leonard King & the Messengers ‘The Barracuda’ (Inferno)
Shelley Fisher ‘I’ll leave you (girl)’ (Kapp)
Third Guitar ‘Baby don’t cry’ (Rojac)
Mr Percolater ‘Got a thing for you baby’ (Wax-Wel)
Tenison Stephens ‘Don’t rip me off’ (Aries)
Sounds of the City ‘Stuff and thangs’ (Sounds of the City)
Al White & the Hi-Liters ‘Noise with the boys’ (Tune-Kel)

There was one particular record though that Keb played every week that instantly struck a chord with me. Right from the get go, the intro screamed ‘Get on the dancefloor’…..onto a heavy blues oriented funk instro riff…..some hoopin’ & holler’…..and a bunch of breaks. Very tasty breaks.

I had to know what this dancefloor destroyer was the very first moment I heard it, so I shuffled up to the turntables to learn the goods. It was a sad moment to see Keb had covered up the label and wasn’t telling anyone the true identity of the tune. Week after week I tried to find out the artist, and week after week I was shoed away with a quick glance of the 45, still with the cover-up label attached. Covering up has been practiced for years and originally came to prominence during the reggae soundclash golden era, where each Sound System would often scratch off the label or simply cover it up with some different artwork etc. When you’re doing battle for musical supremacy, exclusivity is part and parcel of keeping your set original, and originality will tip the odds to your favour. C/U’s, used as an abbreviation, were also adopted by the Northern Soul scene within the UK, and that’s where Keb got into the habit of hiding the identities of his prized pieces.

Thursday rolled around one more time, and it just so happened that I was heading off to the United States the next day on a two week buying trip. I bugged Keb again about this record that I only knew as ‘The Cranberry’ funk instro 45 (check out the clip to find out why), and mentioned about my trip Stateside. My luck was in that night…..Keb took the label off and showed me the artwork. Yessir….finally…..the track with all the beats that made me airdrum in the club and had me shoutin’ ‘James Brown’s been around!’…..was by The Golden Toadstools, called ‘Silly savage’ on the Minaret label. During the unveiling, Keb looked at me and said, ‘There ya go laddy, find me some of those!!’ Armed with the info, I hit the Midwest and got diggin’.

We ended up in St. Louis, having a look around Electric Ladyland Records….finding a few pieces, but nothing mind blowing. I got to the checkout desk where a portly ginger haired gent was manning the till. The guy looked straight out of Woodstock with a 60’s style haircut, round rim glasses and sporting a vintage gig tee shirt. He decides to mention that he’s got a basement full of records that I could look through, after he shuts up shop. We arrange a time, confirm the location, and it’s on!

His house was out in the ‘burbs, but looks safe enough…..the basement on the other hand, was pretty harsh. In the corner stood a dysfunctional slightly smashed toilet throwing out an interesting aroma…..two of the hairiest cats known to man paraded the floors and the records, coating most of the discs in cat hair, and areas of the floor in yacked up fur balls. It wasn’t exactly hazmat territory, but everything was handled with kid gloves, to say the least.

I get into a lane and find a coupla things, move across to the second stack, and much the same…..and then it was onto the middle of the rack. Yeah, go time…..I find one glorious copy of The Golden Toadstools, minty fresh, purple label stocker. Today was a good day! Then I flipped past a few more also rans, and stumbled on another copy…..hearts fluttering. I’ve got two copies of Keb’s cover up!! I keep flipping and copy number 3 lifts its head, then 4, and onto 5…..I ended up bagging 14 copies. And the nice little cherry on the cake was a minty demo of Jackson Sisters ‘I believe in miracles’ on Prophesy at the end of the lane, just to confirm what a great hit it had been. Then the nerves kicked in…..what was he gonna charge me for all these? I mean, it’s a huge disc in the UK right now, so surely it’s gonna break my bank. Nope….2 bucks a piece, and the guy asked ‘Ya’ll need some more copies of The Golden Toadstools?’ in a thick Alabama drawl. I said ‘Yeah’ but for some reason, we never returned. I just paid pronto and got out of dodge with the feeling in my stomach that I’d just come up big!

When I arrived back in the UK, I told him the news over the phone…..which was greeted with a mighty ‘F*ckin’ hell!! I’ll have those off you!!’ The next day, I drove to Keb’s with 10 copies and we hammered out a huge trade with him offering me some fantastic (and expensive 45’s) that I still own today. He went on to sell and trade his copies for undisclosed sums around the globe. Today, you can find a copy of The Golden Toadstools fairly easily for around $40 mint, but in the early 90’s, this record commanded some serious attention. A perfect example of right time right place, and a dig that I’ll always remember that given the context, was quite possibly my greatest single 45 come-up ever!

What's your favorite format? LP, 12", 7"?
When I first started collecting, it was all about LP’s…..now it’s really 45’s, but I still love a good dig around the 33rpm sections.

What are your 10 alltime favorites?
Eugene McDaniels ‘Headless heroes of the apocalypse’ (Atlantic) LP
Little Shadows ‘On judgement day’ (Mission) 45
Supreme Jubilees ‘It’ll all be over’ (S&K) LP
Malone & Barnes and Spontaneous Simplicity ‘Freedom serenade’ 
(Humpin’ International) LP
Rotary Connection ‘Songs’ (Cadet Concept) LP
James Bynum ‘We are in need’ (E.B.C.) 45
Terry Callier ‘What color is love’ (Cadet) LP
United Sounds ‘It’s all over (baby)’ (United) 45
Art Blakey ‘Moanin’ (Blue Note) LP
Gil Scott Heron ‘Winter in America’ (Strata East) LP

What's your most memorable dj gig?
I’m lucky enough to be part of the Block 9 crew who operate a fantastic field at the legendary Glastonbury Festival, once a year. Every year I DJ at the NYC Downlow stage, it always ends up being my standout gig of the year. Hot, sweaty, smiling happy faces, all dancing to 100% gospel disco…..some of the most uplifting music to ever hit the turntables. It’s a beautiful setting, run by some of the most beautiful people in the business. Honest and pure, and that’s not often the case, these days.

What's the best concert you ever went to?
That would be hands down the first ever entire JB’s Family Reunion, at London’s Town & Country Club in 1987. All the classic band were right there on stage with the exception of Bootsy Collins….Marva Whitney, Lyn Collins & Vicky Anderson, with Bobby Byrd conducting the whole show. And what topped it off nicely for me, was getting a big hug from Vicky Anderson, mid-show. They played live for close to four hours, just loving the moment. Unforgettable gig.

Where & with who would your dream gig be?
Sister Rosetta Tharpe, backed by Jimi Hendrix, John Entwistle & Mitch Mitchell….plus a bunch of other ‘super group’ style acts, all voiced by gospel artists. Who knows if it would work, but I’d have a lotta fun organizing it and finding out. Somewhere secluded, like Richard Branson’s ‘Necker Island’ or suchlike. With a PA rig the size of small country…..yeah, something like that.

What's your favorite food & drink?
When I’m in the UK, my favorite food is always served up at the best Curry House in Surbiton, Surrey….The Red Rose. I’ve been visiting this place for over 25 years…..just so good! I’m not really much of a ‘drink’ person, to be honest. Just recently discovered a beverage called ‘Opihr’….it’s a spiced gin that’s very tasty mixed with tonic water, when the mood strikes.

Any words of advice?
Be confident in your own taste and don’t follow too much what others say might be a good record. Listen to it f’sure, but base your opinion on your own judgement. Music is a very personal journey and it’ll be a different experience for everybody reading this piece. Make it yours and don’t ever second yourself into saying something that you like, when it’s really not to your taste. Listen to your heart, mind and soul….the rewards are infinite!
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https://www.mixcloud.com/gregbelson/
https://soundcloud.com/soulsonic1

Montag, 8. Juni 2015

Dem Primitive Blues Dance

DEMOLITION BLUES & FLAMINGOS - live
Party mit Carlo Cannone, Inderrock & yours truly
Freitag, 12. Juni 2015, ab 22h
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PUDI PRIMITIVE & YOURS TRULY
Samstag, 13. Juni 2015, 22h
***

Sonntag, 26. April 2015

LEKTION 36 - RAP HISTORY 2013

Donnerstag, 30. April 2015
Einlass ab 20h, Unterrricht ab 21h
University of Helsinki
Hörsaal Geroldstrasse 35
8005 Zürich

Lektion 36 - Rap History 2013
Paul Neumann, CEO Müller & DJ Soulsonic
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Dienstag, 21. April 2015

DJ Soulsonic meets DJ Crazeebo

Samstag, 25. April 2015, ab 23.30

DJ SOULSONIC MEETS DJ CRAZEEBO
In A Funky Rap Shack

(nach der Plattenfeier von "Wicht")
Helsinki Klub
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Dienstag, 3. Februar 2015

Funk Soul Brothers

Samstag, 07. Februar 2015

OOR Records, Anwandstrasse 30, 8004 Zürich

Jan Weissenfeldt (The Poets Of Rhythm/The Whitefield Brothers)
15-18 Uhr, DJ Talk/DJ Set

Der Guitarist und Plattensammler Jan Weissenfeldt aus München kommt mit einer Kiste rarer Platten aus seiner umfangreichen Sammlung von Deep Funk und Afrobeat zu Besuch und wird ausserdem etwas über seine zahlreichen Bandprojekte
(The Poets of Rhythm, The Whitefield Brothers,
Karl Hector & The Malcouns, Afrobeat Academy etc…) erzählen.
Er gründete 1992 mit seinem Bruder Max die stilprägende Deep Funk Band «The Poets of Rhythm» (Soulciety, Ninja Tune, Daptone), 10 Jahre später das Afrobeat Ensemble «The Whitefield Brothers» (Soul Fire, Now-Again)  und ist ausserdem Begleitmusiker und Arrangeur von Afrobeat-Legende Ebo Taylor, Jam-Partner von Hip-Hop-Produzent Madlib oder Autor der bei Trikont erschienenen großartigen Ethio-Jazz-Kompilation «Beyond Addis».
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 Samstag, 07. Februar 2015

Welcome to the Helsinki Melting Pot!

Henning Boogaloo (Swiss Soul Club) und Herr Wempe, yours truly,
treffen sich wieder mal auf einen Schwatz.
Ab etwa 23.15 drehen die Platten und es darf getanzt werden,

Vorher feiern Great Black Waters ihr neues Album.
*** 

Dienstag, 23. Dezember 2014

Rap History 2009

Update: Jetzt ist die Veranstaltung auch als Fernkurs verfügbar!

Veranstaltungs-Nr. 1243
Datum: Donnerstag, 25. Dezember 2014, ab 22.00 bis 03.00
Ort: Universität Helsinki, Hörsaal: Geroldstrasse 35, 8005 Zürich
Zeit: Einlass ab 21.30, Unterricht ab 22h.
Pünktliches erscheinen wird empfohlen.

–––––––––––––
RAP–HISTORY
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2009 – Jay-Z verkündet auf dem Zenit seiner (finanziellen) Karriere den Tod von Auto-Tune und verschafft damit ungewollt dem Stimmfilter einem neuen Schub. Jenseits der Grammies machen sich zahlreiche neue Protagonisten startklar von denen es der eine oder andere noch weit bringen werden: Drake, Kendrick Lamar, Shabbazz Palaces, Jay Electronica, Gucci Mane machen sich startklar. Ebenso Lil B, ehemaliges Mitglied der Gruppe „The Pack“ der mit „6 Kiss“ sein erstes Soloalbum veröffentlicht. Es ist der Auftakt zu einer Odyssee die ihn 22 Alben (!) später zum bekanntesten Rapper ohne Vertrag machen wird.
Unter Mitwirkung der Dozenten:
Mono (Beatfingaz Entertainment, ZH)
P-Tess (Glitches & Money, ZH)
CEO Müller (GS Finance & Trust, ZH)
Soulsonic (OOR Group, ZH)
Material zur Vorlesung:

Krs-One “The Gospel Of Hip Hop” (Powerhouse Books/2009)
Charnas, Dan “The Big Payback” (Signet/2011)
Beste, Peter/Walker, Lance Scott/Kugelberg, Johan “Houston Raps” (Sinecure Books/2013)

Präsentiert von CEO Müller & Soulsonic
———————
Dr. Rolf Müller
Universität Helsinki
Institut für Rap-Geschichte
Geroldstr. 35
CH-8005 Zuerich
http://www.raphistory.ch/
Das Proseminar “Rap-History” behandelt chronologisch einzelne Jahre von Rap und Hip-Hop. Dabei liegt das Schwergewicht auf den in den jeweiligen Jahren veröffentlichten Platten. Die Veranstaltung fand von September 2005 bis Februar 2008 jeweils am letzten Donnerstag im Monat statt (1979 – 2007) und nahm diesen November 2014 den regulären Vorlesungsbetrieb ab den Jahren 2008 wieder auf. Und für all jene, die eine Lektion verpasst haben – oder sich gut vorbereiten möchten – gibt es die vergangenen Anlässe in der Kategorie “Mixes” als Fernkurse!


Montag, 24. November 2014

Rap History 2008 / FHKS

Update: Jetzt auch als Fernkurs erhältlich.

Veranstaltungs-Nr. 1243

Datum: Donnerstag, 27. November 2014, ab 21.00 bis 02.00
Ort: Universität Helsinki, Hörsaal: Geroldstrasse 35, 8005 Zürich
Zeit: Einlass ab 20h, Unterricht ab 21h.

Pünktliches erscheinen wird empfohlen.

–––––––––––––
RAP–HISTORY
–––––––––––––

Das Institut of Rap History nimmt diesen Donnerstag seinen regulären Betrieb wieder auf und lädt zur Lektion über das Jahr "2008".
Lil Wayne und Kanye West dominieren die Charts und mit Produktionen wie Kid Cudi's "Day 'N' Nite" Remix wird der Sound immer elektronischer.
Aber auch einige Veteranen, wie Q-Tip von “A Tribe Called Quest”, melden sich mit neuen Alben zurück und mit Barack Obama wählen die USA ihren ersten afro-amerikanischen Präsidenten.

Unter Mitwirkung der Dozenten:

Mono (Beatfingaz Entertainment, ZH)
CEO Müller (GS Finance & Trust, ZH)
Soulsonic (OOR Group, ZH)

Material zur Vorlesung:

Rose, Tricia "The Hip-Hop Wars: What We Talk About When We Talk About Hip-Hop - And Why It Matters" (Basic Civitas Books, 2008)
Bradley, Adam "Book Of Rhymes: The Poetics Of Hip Hop" (Basic Civitas Books, 2009)
Unterlagen sind bei OOR Records, Anwandstr 30, 8004 Zürich erhältlich)
http://www.oor-rec.ch/

Präsentiert von CEO Müller & Soulsonic

---------------------
Dr. Rolf Müller
Universität Helsinki
Institut für Rap-Geschichte
Geroldstr. 35
CH-8005 Zuerich

http://www.raphistory.ch/

Das Proseminar “Rap-History” behandelt chronologisch einzelne Jahre von Rap und Hip-Hop. Dabei liegt das Schwergewicht auf den in den jeweiligen Jahren veröffentlichten Platten. Die Veranstaltung fand von September 2005 bis Februar 2008 jeweils am letzten Donnerstag im Monat statt (1979 – 2007) und nimmt ab November 2014 den regulären Vorlesungsbetrieb ab den Jahren 2008 wieder auf. Und für all jene, die eine Lektion verpasst haben – oder sich gut vorbereiten möchten – gibt es die vergangenen Anlässe in der Kategorie “Mixes" als Fernkurse!

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und am Samstag:
Mehr Infos.
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